D. H. (David Herbert) Lawrence Quotes
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The chief thing about a woman -- who is much of a woman -- is that in the long run she is not to be had... She is not to be caught by any of the catch-words, love, beauty, honor, duty, worth, work, salvation -- none of them -- not in the long run. In the long run she only says Am I satisfied, or is there some beastly dissatisfaction gnawing and gnawing inside me. And if there is some dissatisfaction, it is physical, at least as much as psychic, sex as much as soul.
By D. H. (David Herbert) Lawrence
Behold then Septimus Dodge returning to Dodge-town victorious. Not crowned with laurel, it is true, but wreathed in lists of things he has seen and sucked dry. Seen and sucked dry, you know: Venus de Milo, the Rhine or the Coliseum: swallowed like so many clams, and left the shells.
By D. H. (David Herbert) Lawrence
And if tonight my soul may find her peace in sleep, and sink in good oblivion, and in the morning wake like a new-opened flower then I have been dipped again in God, and new-created.
By D. H. (David Herbert) Lawrence
Sleep is still most perfect when it is shared with a beloved. The warmth, the security and peace of soul, the utter comfort from the touch of the other, knits the sleep, so that it takes the body and soul completely in its healing.
By D. H. (David Herbert) Lawrence
I never saw a wild thing sorry for itself; A small bird will drop frozen dead from a bough without ever having felt sorry for itself.
By D. H. (David Herbert) Lawrence
Always this same morbid interest in other people and their doings, their privacies, their dirty linen, always this air of alertness for personal happenings, personalities, personalities, personalities. Always this subtle criticism and appraisal of other people, this analysis of other people's motives. If anatomy presupposes a corpse, then psychology presupposes a world of corpses. Personalities, which means personal criticism and analysis, presuppose a whole world laboratory of human psyches waiting to be vivisected. If you cut a thing up, of course it will smell. Hence, nothing raises such an infernal stink, at last, as human psychology.
By D. H. (David Herbert) Lawrence
We have lost the art of living; and in the most important science of all, the science of daily life, the science of behavior, we are complete ignoramuses. We have psychology instead.
By D. H. (David Herbert) Lawrence
If a woman hasn't got a tiny streak of a harlot in her, she's a dry stick as a rule.
By D. H. (David Herbert) Lawrence
I love Italian opera -- it's so reckless. Damn Wagner, and his bellowings at Fate and death. Damn Debussy, and his averted face. I like the Italians who run all on impulse, and don't care about their immortal souls, and don't worry about the ultimate.
By D. H. (David Herbert) Lawrence
Museums, museums, museums, object-lessons rigged out to illustrate the unsound theories of archaeologists, crazy attempts to co-ordinate and get into a fixed order that which has no fixed order and will not be co-coordinated! It is sickening! Why must all experience be systematized? A museum is not a first-hand contact: it is an illustrated lecture. And what one wants is the actual vital touch.
By D. H. (David Herbert) Lawrence
The moon is a white strange world, great, white, soft-seeming globe in the night sky, and what she actually communicates to me across space I shall never fully know. But the moon that pulls the tides, and the moon that controls the menstrual periods of women, and the moon that touches the lunatics, she is not the mere dead lump of the astronomist. When we describe the moon as dead, we are describing the deadness in ourselves. When we find space so hideously void, we are describing our own unbearable emptiness.
By D. H. (David Herbert) Lawrence
It is all a question of sensitiveness. Brute force and overbearing may make a terrific effect. But in the end, that which lives by delicate sensitiveness. If it were a question of brute force, not a single human baby would survive for a fortnight. It is the grass of the field, most frail of all things, that supports all life all the time. But for the green grass, no empire would rise, no man would eat bread: for grain is grass; and Hercules or Napoleon or Henry Ford would alike be denied existence.
By D. H. (David Herbert) Lawrence
That is your trick, your bit of filthy magic: invisibility, and the anaesthetic power to deaden my attention in your direction.
By D. H. (David Herbert) Lawrence
You were a lord if you had a horse... Far back, far back in our dark soul the horse prances. . . . The horse, the horse! The symbol of surging potency and power of movement, of action, in man.
By D. H. (David Herbert) Lawrence
Men are free when they are in a living homeland, not when they are straying and breaking away. Men are free when they are obeying some deep, inward voice of religious belief. Obeying from within. Men are free when they belong to a living, organic, believing community, active in fulfilling some unfulfilled, perhaps unrealized purpose. Not when they are escaping to some wild west. The most unfree souls go west, and shout of freedom. Men are freest when they are most unconscious of freedom. The shout is a rattling of chains, always was.
By D. H. (David Herbert) Lawrence
We make a mistake forsaking England and moving out into the periphery of life. After all, Taormina, Ceylon, Africa, America -- as far as we go, they are only the negation of what we ourselves stand for and are: and we're rather like Jonahs running away from the place we belong.
By D. H. (David Herbert) Lawrence
The deadly Hydra now is the hydra of Equality. Liberty, Equality and Fraternity is the three-fanged serpent.
By D. H. (David Herbert) Lawrence
They were evidently small men, all wind and quibbles, flinging out their chuffy grain to us with far less interest than a farm-wife feels as she scatters corn to her fowls.
By D. H. (David Herbert) Lawrence
Literary criticism can be no more than a reasoned account of the feeling produced upon the critic by the book he is criticizing. Criticism can never be a science: it is, in the first place, much too personal, and in the second, it is concerned with values that science ignores. The touchstone is emotion, not reason. We judge a work of art by its effect on our sincere and vital emotion, and nothing else. All the critical twiddle-twaddle about style and form, all this pseudoscientific classifying and analyzing of books in an imitation-botanical fashion, is mere impertinence and mostly dull jargon.
By D. H. (David Herbert) Lawrence
Never trust the artist. Trust the tale. The proper function of a critic is to save the tale from the artist who created it.
By D. H. (David Herbert) Lawrence
Every new stroke of civilization has cost the lives of countless brave men, who have fallen defeated by the dragon, in their efforts to win the apples of the Hesperides, or the fleece of gold. Fallen in their efforts to overcome the old, half sordid savagery of the lower stages of creation, and win the next stage.
By D. H. (David Herbert) Lawrence
The upshot was, my paintings must burn that English artists might finally learn.
By D. H. (David Herbert) Lawrence
The peasants of Sicily, who have kept their own wheat and made their own bread, ah, it is amazing how fresh and sweet and clean their loafs seem,so perfumes, as home-made bread used to be before the war.
By D. H. (David Herbert) Lawrence
We need not feel ashamed of flirting with the zodiac. The zodiac is well worth flirting with.
By D. H. (David Herbert) Lawrence